Mark Cartwright
Mark Cartwright
Assistant Professor, Informatics
3902E Guttenberg Information Technologies Center (GITC)
About Me
Mark Cartwright is an Assistant Professor of Informatics at New Jersey Institute of Technology where he leads the Sound Interaction and Computing (SInC) Lab. His research lies at the intersection of human-computer interaction and machine learning applied to audio and music. Specifically, he researches human-centered machine listening and audio processing tools that enable new interactions for creative expression through sound and understanding the acoustic world at scale. Before his current position, he was a research assistant professor at NYU affiliated with both the Music and Audio Research Laboratory and the Center for Urban Science and Progress. He received his PhD in Computer Science at Northwestern University as a member of the Interactive Audio Lab, and he holds an MA in Music Science and Technology from Stanford University (CCRMA) and a BMus in Music Technology from Northwestern University.
Education
Ph.D.; Northwestern University; Computer Science; 2016
M.A.; Stanford University; Music Science and Technology; 2007
B.M.; Northwestern University; Music Technology; 2004
M.A.; Stanford University; Music Science and Technology; 2007
B.M.; Northwestern University; Music Technology; 2004
Website
Teaching Interests
machine listening, interactive machine learning, audio processing, multimedia computing
Past Courses
CS 485: SELECTED TOPICS IN CS
CS 485: ST: MACHINE LISTENING
CS 698: ST: MACHINE LISTENING
IS 247: DESIGNING THE USER EXPERIENCE
IS 485: SPECIAL TOPICS IN INFORMATION SYSTEMS
IS 485: SPECIAL TOPICS IN IS - I
IS 485: ST: MACHINE LISTENING
IS 657: SPATIOTEMPORAL URBAN ANALYTICS
IS 698: ST: SPECIAL PROJECTS
CS 485: ST: MACHINE LISTENING
CS 698: ST: MACHINE LISTENING
IS 247: DESIGNING THE USER EXPERIENCE
IS 485: SPECIAL TOPICS IN INFORMATION SYSTEMS
IS 485: SPECIAL TOPICS IN IS - I
IS 485: ST: MACHINE LISTENING
IS 657: SPATIOTEMPORAL URBAN ANALYTICS
IS 698: ST: SPECIAL PROJECTS
Research Interests
machine listening, human-computer interaction, machine learning, audio, music, crowdsourcing, human-AI interaction, creativity support tools, interactive machine learning, music information retrieval, digital signal processing, sound accessibility
Conference Paper
Towards a Rich Format for Closed-Captioning
Proceedings of the ACM SIGACCESS Conference on Computers and Accessibility (ASSETS), October (4th Quarter/Autumn) 2024
Proceedings of the ACM SIGACCESS Conference on Computers and Accessibility (ASSETS), October (4th Quarter/Autumn) 2024
Journal Article
Knight, Elly, & Rhinehart, Tessa, & de Zwaan, Devin R, & Weldy, Matthew J, & Cartwright, Mark, & Hawley, Scott, & Larkin, Jeffrey, & Lesmeister, Damon, & Bayne, Erin, & Kitzes, Justin Individual Identification in Acoustic Recording. Trends in Ecology and Evolution,
Mendez Mendez, Ana , & Cartwright, Mark, & Bello, Juan Pablo, & Nov, Oded (2022). Eliciting Confidence for Improving Crowdsourced Audio Annotations. ACM, 6(CSCW1),
Pardo, Bryan, & Cartwright, Mark, & Seetharaman, Prem, & Kim, Bongjun (2019). Learning to Build Natural Audio Production Interfaces. Arts, 8(3), 110.
McFee, Brian, & Kim, Jong Wook, & Cartwright, Mark, & Salamon, Justin, & Bittner, Rachel M., & Bello, Juan Pablo (2019). Open-Source Practices for Music Signal Processing Research: Recommendations for Transparent, Sustainable, and Reproducible Audio Research. IEEE Signal Processing Magazine, 36(1), 128--137.
Lostanlen, Vincent, & Salamon, Justin, & Cartwright, Mark, & McFee, Brian, & Farnsworth, Andrew, & Kelling, Steve, & Bello, Juan Pablo (2019). Per-Channel Energy Normalization: Why and How. IEEE Signal Processing Letters, 26(1), 39--43.
Cartwright, Mark, & Seals, Ayanna, & Salamon, Justin, & Williams, Alex, & Mikloska, Stephanie, & MacConnell, Duncan, & Law, Edith, & Bello, Juan Pablo, & Nov, Oded (2017). Seeing Sound: Investigating the Effects of Visualizations and Complexity on Crowdsourced Audio Annotations.
Mendez Mendez, Ana , & Cartwright, Mark, & Bello, Juan Pablo, & Nov, Oded (2022). Eliciting Confidence for Improving Crowdsourced Audio Annotations. ACM, 6(CSCW1),
Pardo, Bryan, & Cartwright, Mark, & Seetharaman, Prem, & Kim, Bongjun (2019). Learning to Build Natural Audio Production Interfaces. Arts, 8(3), 110.
McFee, Brian, & Kim, Jong Wook, & Cartwright, Mark, & Salamon, Justin, & Bittner, Rachel M., & Bello, Juan Pablo (2019). Open-Source Practices for Music Signal Processing Research: Recommendations for Transparent, Sustainable, and Reproducible Audio Research. IEEE Signal Processing Magazine, 36(1), 128--137.
Lostanlen, Vincent, & Salamon, Justin, & Cartwright, Mark, & McFee, Brian, & Farnsworth, Andrew, & Kelling, Steve, & Bello, Juan Pablo (2019). Per-Channel Energy Normalization: Why and How. IEEE Signal Processing Letters, 26(1), 39--43.
Cartwright, Mark, & Seals, Ayanna, & Salamon, Justin, & Williams, Alex, & Mikloska, Stephanie, & MacConnell, Duncan, & Law, Edith, & Bello, Juan Pablo, & Nov, Oded (2017). Seeing Sound: Investigating the Effects of Visualizations and Complexity on Crowdsourced Audio Annotations.
Conference Proceeding
Multi-label Open-set Audio Classification
Proceedings of the Workshop on Detection and Classification of Acoustic Scenes and Events (DCASE), September 2023
Does a quieter city mean fewer complaints? The Sounds of New York City During COVID-19 Lockdown
Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), May 2023
A Study on Robustness to Perturbations for Representations of Environmental Sound
August 2022
Urban Rhapsody: Large-scale exploration of urban soundscapes
June 2022
How people who are deaf, Deaf, and hard of hearing use technology in creative sound activities
ACM, October (4th Quarter/Autumn) 2022
Proceedings of the Workshop on Detection and Classification of Acoustic Scenes and Events (DCASE), September 2023
Does a quieter city mean fewer complaints? The Sounds of New York City During COVID-19 Lockdown
Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), May 2023
A Study on Robustness to Perturbations for Representations of Environmental Sound
August 2022
Urban Rhapsody: Large-scale exploration of urban soundscapes
June 2022
How people who are deaf, Deaf, and hard of hearing use technology in creative sound activities
ACM, October (4th Quarter/Autumn) 2022
SHOW MORE
Active Few-Shot Learning for Sound Event Detection
September 2022
MONYC: Music of New York City Dataset
Weakly Supervised Source-Specific Sound Level Estimation in Noisy Soundscapes
2021
Who Calls the Shots? Rethinking Few-Shot Learning for Audio
2021
Few-Shot Continual Learning for Audio Classification
IEEE, June 2021
Specialized Embedding Approximation for Edge Intelligence: A Case Study in Urban Sound Classification
IEEE, June 2021
Few-Shot Drum Transcription in Polyphonic Music
2020
SONYC-UST-V2: An Urban Sound Tagging Dataset with Spatiotemporal Context
2020
Tricycle: Audio Representation Learning from Sensor Network Data Using Self-Supervision
IEEE, October (4th Quarter/Autumn) 2019
Voice Anonymization in Urban Sound Recordings
IEEE, October (4th Quarter/Autumn) 2019
SONYC Urban Sound Tagging (SONYC-UST): a multilabel dataset from an urban acoustic sensor network
Zenodo, July (3rd Quarter/Summer) 2019
Active Learning for Efficient Audio Annotation and Classification with a Large Amount of Unlabeled Data
IEEE, May 2019
Crowdsourcing Multi-label Audio Annotation Tasks with Citizen Scientists
ACM, May 2019
EdgeL3: Compressing L3-Net for Mote Scale Urban Noise Monitoring
IEEE, May 2019
Machine-Crowd-Expert Model for Increasing User Engagement and Annotation Quality
ACM, May 2019
Increasing Drum Transcription Vocabulary Using Data Synthesis
2018
Crowdsourced Pairwise-Comparison for Source Separation Evaluation
IEEE, April (2nd Quarter/Spring) 2018
Investigating the Effect of Sound-Event Loudness on Crowdsourced Audio Annotations
IEEE, April (2nd Quarter/Spring) 2018
Scaper: A library for soundscape synthesis and augmentation
IEEE, October (4th Quarter/Autumn) 2017
The Moving Target in Creative Interactive Machine Learning
2016
An Approach to Audio-Only Editing for Visually Impaired Seniors
ACM, October (4th Quarter/Autumn) 2016
Fast and easy crowdsourced perceptual audio evaluation
IEEE, March 2016
Audio Production with Intelligent Machines
2015
MixViz: A Tool to Visualize Masking in Audio Mixes
2015
VocalSketch: Vocally Imitating Audio Concepts
ACM, April (2nd Quarter/Spring) 2015
SynthAssist: Querying an Audio Synthesizer by Vocal Imitation
2014
Translating Sound Adjectives by Collectively Teaching Abstract Representations
2014
SynthAssist: an audio synthesizer programmed with vocal imitation
ACM, November 2014
Mixploration: Tethinking the audio mixer interface
ACM, February 2014
Social-EQ: Crowdsourcing an Equalization Descriptor Map
2013
Building a Music Search Database Using Human Computation
2012
Novelty measures as cues for temporal salience in audio similarity
ACM Press, 2012
Interactive Learning for Creativity Support in Music Production
2011
Making Searchable Melodies: Human vs. Machine
2011
Crowdsourcing a Real-World On-Line Query By Humming System
2010
Rage in Conjunction with the Machine
ACM Press, 2007
September 2022
MONYC: Music of New York City Dataset
Weakly Supervised Source-Specific Sound Level Estimation in Noisy Soundscapes
2021
Who Calls the Shots? Rethinking Few-Shot Learning for Audio
2021
Few-Shot Continual Learning for Audio Classification
IEEE, June 2021
Specialized Embedding Approximation for Edge Intelligence: A Case Study in Urban Sound Classification
IEEE, June 2021
Few-Shot Drum Transcription in Polyphonic Music
2020
SONYC-UST-V2: An Urban Sound Tagging Dataset with Spatiotemporal Context
2020
Tricycle: Audio Representation Learning from Sensor Network Data Using Self-Supervision
IEEE, October (4th Quarter/Autumn) 2019
Voice Anonymization in Urban Sound Recordings
IEEE, October (4th Quarter/Autumn) 2019
SONYC Urban Sound Tagging (SONYC-UST): a multilabel dataset from an urban acoustic sensor network
Zenodo, July (3rd Quarter/Summer) 2019
Active Learning for Efficient Audio Annotation and Classification with a Large Amount of Unlabeled Data
IEEE, May 2019
Crowdsourcing Multi-label Audio Annotation Tasks with Citizen Scientists
ACM, May 2019
EdgeL3: Compressing L3-Net for Mote Scale Urban Noise Monitoring
IEEE, May 2019
Machine-Crowd-Expert Model for Increasing User Engagement and Annotation Quality
ACM, May 2019
Increasing Drum Transcription Vocabulary Using Data Synthesis
2018
Crowdsourced Pairwise-Comparison for Source Separation Evaluation
IEEE, April (2nd Quarter/Spring) 2018
Investigating the Effect of Sound-Event Loudness on Crowdsourced Audio Annotations
IEEE, April (2nd Quarter/Spring) 2018
Scaper: A library for soundscape synthesis and augmentation
IEEE, October (4th Quarter/Autumn) 2017
The Moving Target in Creative Interactive Machine Learning
2016
An Approach to Audio-Only Editing for Visually Impaired Seniors
ACM, October (4th Quarter/Autumn) 2016
Fast and easy crowdsourced perceptual audio evaluation
IEEE, March 2016
Audio Production with Intelligent Machines
2015
MixViz: A Tool to Visualize Masking in Audio Mixes
2015
VocalSketch: Vocally Imitating Audio Concepts
ACM, April (2nd Quarter/Spring) 2015
SynthAssist: Querying an Audio Synthesizer by Vocal Imitation
2014
Translating Sound Adjectives by Collectively Teaching Abstract Representations
2014
SynthAssist: an audio synthesizer programmed with vocal imitation
ACM, November 2014
Mixploration: Tethinking the audio mixer interface
ACM, February 2014
Social-EQ: Crowdsourcing an Equalization Descriptor Map
2013
Building a Music Search Database Using Human Computation
2012
Novelty measures as cues for temporal salience in audio similarity
ACM Press, 2012
Interactive Learning for Creativity Support in Music Production
2011
Making Searchable Melodies: Human vs. Machine
2011
Crowdsourcing a Real-World On-Line Query By Humming System
2010
Rage in Conjunction with the Machine
ACM Press, 2007
COLLAPSE
Conference Abstract
A retrospective on monitoring noise pollution with machine learning in the Sounds of New York City project
Journal of the Acoustical Society of America, May 2023
Journal of the Acoustical Society of America, May 2023